Going to start by saying that this was the best speech I heard in a very long time:
"This is a great honour, because this record was a special record for our band. Rather than go to the best studio in the world down the street in Hollywood and rather than use all of the fanciest computers that money can buy, we made this one in my garage with some microphones and a tape machine...
"To me this award means a lot because it shows that the human element of music is what's important. Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.
"It's not about being perfect, it's not about sounding absolutely correct, it's not about what goes on in a computer. It's about what goes on in here [your heart] and what goes on in here [your head]."
Dave Grohl delivered it last night at the Grammy's, after the Foo Fighters deservedly won Best Rock Album.
I couldn't agree more with his words. The music industry has to start paying more attention to what true art really is. Spend less money designing puppet performers, disrespecting true talent and diminishing the real deal musicians out there. It's cool to wear freaky clothes and weird make-up if behind it all, there's a brain capable of writing and performing brilliant tunes. And don't get me started on auto-tune...
I want to believe we, as an audience, deserve a bit more respect. And having said so, I hope that I, the musician, do treat you with the respect you have earned.
This record has a great vibe to it. The songs are a mixture of Lungs and something that we haven’t heard yet. My favourite song on this record is What the Water Gave Me:
Ceremonials is definitely up to par with Lungs and I am excited to see what she’ll do on her next album. I just love her voice, I can't get enough of it. This is one of those records that you can’t get tired of listening to. The songs own grandiosity. You can simply say they are big. And if you're familiar with Florence, you know this is something she does magnificently well. I love how she uses lots of harp in her tunes, something of a trademark, a recognizable feature that totally works. I think that is why she is so unique. Florence is elegant! Definitely buy this album! I did :)
I mentioned them before. 5th Projekt is probably Toronto's best kept secret. If you like depth in music, then you MUST listen to this band. They are, no doubt, the true definition of flawless.
Their new album V is a fantastic collection of tunes. It's a radical break from their former projects and you can taste the heavy edge they were hiding up until now. Each song presents a new energy and combined they are absolutely epic. This is an album you must listen to from beginning to the end. Then again and again. And each time you will discover something else hidden between the notes.
And when you think you have it all figured out, Tara surprises with an amazing interpretation of the classic White Rabbit. It's seriously too awesome to put in words, so I suggest you go and have a listen.
I saw them live in Guelph in August. Tara had a cold, but you honestly couldn't tell. Her voice was as amazing as usual and they had everyone stunned with their super professional performance.Here's a clip I recorded:
It's no secret I love this band. I mentioned them a while ago and was totally looking forward to their new album TORCHES. I honestly can't get enough of it. These guys redefined the concept of greatness. They are absolutelly brilliant! So here's my take on their new release.
Helena Beat
This song has been playing CONSTANTLY on the radio. It’s solid, definitely. I love the chord progression. It really brings the song together, and there’s a little lead part in the verses that you might not have noticed, but it also completes the verse. The chorus is simply amazing, and still follows the main chord progression, but then comes the bridge. It breaks down to a simple drum, bass and synth part. The song continues to the chorus again, and makes the song even better by repeating the lick that goes ‘wooooooo, woooo’ you know what I mean. Awesome.
Pumped Up Kicks
The acclaimed best song in the album, not in my opinion, but one of the best. Definitely pumps me up in the morning! I’ve heard this song enough that I can tell you that I sing the chorus VERY loud in the car. The verses are for listening only, because the production in them is just astounding. It makes me wonder how long it took to put this song together because there are just so many different layers of sound. The solo is cool because I’m pretty sure it was all sung into a microphone with a cool effect over it. With mainly the same structure as Helena Beat, it attaches the two songs into one. I love it.
Call It What You Want
The intro is so unique and the progression is just so simple but fascinating at the same time. Vocals start with the song title, call it what you want. For the first time on the album, we get to hear Mark’s voice without an effect. The raw quality of Foster the People. This song has a funkier quality than the electronic Helena Beat and Pumped Up Kicks. Here, you get to here Mark’s ear-pleasing piano skills. Once again with a cool vocal lick, it differs from the strong electronic characteristic of Foster the People. I simply love how they can add raw piano to synths and electric drums. It’s amazing.
Don’t Stop (Color on the Walls)
Here, we hear the acoustic guitar. This song differs from all the other songs on the album, with acoustic drums, and not too many synths in the beginning. We just hear synths mainly following the vocal progression and doing lead things. This brings us back to the beginning, to the guitar, bass, drums and vocals, 3 man band typical. It actually reminds me of a Queens of the Stone Age-type thing. The bridge is AMAZING. One word, and that’s all you need to know. You’ll get it once you hear the song for yourself, if you haven’t already heard it. It just makes me happy!
Waste
Another one I’ve heard a lot, completely opposite from track 4. I like how they put the album together, some similar, some contrasting. Anyway, I like the lyrics in the chorus, saying mainly that you shouldn’t be wasting time doing other things, and you should just go hang out with Mark Foster. I like that. It really makes you think that you should get out and seize the day, not just waste it away. (Hey! That rhymes!) The bridge makes a huge statement with the chords, makes you complete your thoughts, but then brings them back with another chorus. It ends that way, and it should.
I Would Do Anything for You
Now THIS is my favourite song on the album. The chorus really makes the song with the ‘ooh la la’ part, and more of Mark’s epic piano skills. The verses are amazing but the choruses are amazing-er (Is that a word? Now it is.) They continue the song with the bridge, but the bridge continues with some very eerie chord changes for such a happy song. They go back to the chorus, and I continue to be speechless, and overwhelmed with happiness. Listen to this one. It will complete you.
Houdini
I’ve heard this one. A lot. So much that I love it even more now. It’s not a song that will make you bored after 5 times in a row. The synth lick in the choruses completes the song, without even hearing the song completely. It’s already stuck an A++. Seriously, this song should be huger than it is, grabbing an audience from kids to adults, and anything in between. Mark shows his amazing voice in this song. I love the group harmonies in this song, because it depicts their teamwork and friendship. That’s cool.
Life on the Nickel
This song has so many layers it’s hard to describe. It sounds like they had fun recording this song. You don’t find out until later that the chorus is basically the intro all over again. The verse is really cool, and actually reminds me of Florence + the Machine’s ‘Drumming Song.’ The bridge reminds me of playing a arcade video game, because of the synths they chose to use during this song. It’s amazing what you can do these days.
Miss You
This song reminds me of LMFAO’s ‘Party Rock Anthem’ because of the drum beats and synths in the chorus. You’ll find out later. The part after the verse breaks down, and into Party Rock they go. They obviously Foster it up a bit, but that makes it the whole bunch better. They pretty much go over the verse, breakdown, chorus thing again, but this time the breakdown is longer. They then build up into the chorus. You would think that this song would communicate to a large audience like I said with Houdini, but Houdini fits the bill. I love how the song ends, just like that. Just like that.
Warrant
The last song on the album. Not if you got it on iTunes or at Best Buy! But I’m just reviewing the CD. So :( This song has the best beat out of all 10 songs. It concludes the whole album, and would be an amazing show-ender, calming the audience down, before they realize that the concert is over. It’s a sad song, but the chorus makes it happy, even though the lyrics are still a bit depressing. The synth lick in this song is really cool. It follows the bass in the verses, but adds on to it. The verses almost make me want to cry because I know that the album is already over. They should’ve made a double record or something. Darn! Then comes Mark with the megaphone, and kills everybody listening to the song with his amazing skills. What you don’t know when you’re listening to the song, is that it’s actually 5 minutes long. But, they go buy so fast when you’re listening to the song, that they’re gone in a heartbeat.
Overall this gets a rating of 6 out of 5. I’m being completely honest, and please take my word for it and buy this record, if you don’t already have it. The singles you hear on the radio are just a little glimpse of their talents. I bought the album on iTunes, where you receive one bonus track, but I’m heading down to Best Buy to get the other two. Get addicted!
Have you ever thought of doing something meaningful, something that would make a difference? I think all of us often think about it, but to actually do it, it's a different story.
Steve Gaul (shown above) set the world record for marathon drumming just a few days ago, in my hometown! The record was 120 hours, and he beat it by 1 hour. It was so cool to be able to watch him drumming whenever I wanted to, and it was only a 10 minute drive from my house! I could also watch him via an online stream, so that made it really easy to know if he was still drumming.
I went down to the music centre on the first day of his marathon. My producer’s band, Freedom Train, was one of many guests Steve had throughout the drumathon. He had been playing for 9 hours when we went there, and he wasn’t tired at all. I would have already been tired after drumming for that long. But Steve was remarkable and to think he did it for 121 hours is amazing!
Day 1
Guinness’ rules for marathon drumming records are:
Only 1 drummer can attempt the record
It must be played to recognizable songs
Each song must be more than two minutes long
There can be no more than 30 seconds between songs
The songs must be played to a recognizable standard
You get 5 minutes break for every hour completed, and can bank unused.
Day 3
Steve Gaul tried to break the record last year, and only got to 78 hours. He was doing it to help his sister who was battling cancer. Toni had Para-nasal Cancer, and lost her hip, eye and shoulder. She passed away last December. Steve had previously battled and overcame Testicular Cancer himself, so he wanted to break the world record for the cancer society.
So this year, Steve broke the record in honour of Toni. He was constantly surrounded by friends, family and complete strangers who were cheering him on. In the evenings, he was accompanied by local bands.
On Wednesday morning, I woke up and went straight to the online stream to watch him drum to his last song, ‘We Are the Champions’ by Queen. After he finished, he was raided by media crews trying to interview him before he went to bed. His crew had a bed in the music centre for him so he could fall asleep immediately after he finished. Imagine how tired you would be after drumming for 121 hours!
One of my favorite treats ever is a Brazilian sweet called "brigadeiro".
It's basically condensed milk mixed with cocoa and butter and cooked until it's nice and gooey. And you just roll it in a ball with chocolate sprinkles or whatever you want (shredded coconut, ground nuts, just use your imagination). It's really to die for!
I learned how to make a vegan version and it's pretty awesome. I use soy milk powder and earth balance instead of the regular ingredients and it's really good. I made some a while ago and gave it to my grandma to try and she said it tasted funny. So, that got stuck in my mind. How could it taste awesome to me and "funny" to someone else? And it hit me that my taste buds changed or better yet, adapted to the vegan flavours. My friend Dani helped me put the pieces together when she commented how fast people can adapt to almost anything in life.
It's so true! We can adapt to lack of light, change of temperature, so many things really! So why is it that it is so hard to get used to good things for our body? Like sugar addiction and the totally nasty stuff, like drugs? I know, it's all about chemistry and I won't get into that. But when I see people poisoning themselves and being unable to get out of that situation, I just do not understand the motivation to even start in that lifestyle.
I was on twitter when I found out about Amy Winehouse's sudden death and I was really sad. When you see someone so talented with so much potential just end up like that is very disturbing. I think life is something we should be grateful for and that we should embrace the good stuff and bad stuff. And learn everyday a bit more about it. I myself use songwriting as an outlet. I know some people paint or play sports. And it's cool that people can vent that way. I just wish it was as easy to adapt to doing positive things than getting into trouble.
Gonna miss you, Amy...
